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This is a common warning for numerous people that co-parenting a pet following a split is a recipe for trouble. The consensus suggests such setups impede ex-partners from moving forward, cause practical headaches, spark arguments, and become annoying for all parties. Apparently, and in a twist suited to a direct-to-platform film, it can even cause our furry friends to experience sadness.

Not to downplay the inner life of animals – many owners attest to their profound sensitivity. For a standout portrayal in canine melancholy, simply recall recent cinema. There is little doubt that a dog like Merv, a wired-hair terrier mix brought to life by the canine actor Gus, would have a hard time coping with life in two homes. Whether this premise an entire Christmas romance around this situation works effectively seems rather doubtful.

Standard Holiday Fare

Honestly, Merv, written by its screenwriters and helmed by Jessica Swale, never aspires to be anything more than a light film. It functions as a holiday release from a major tech-and-media conglomerate – the ambitions is limited. Its storyline proves to be uncomplicated: former spouses Russ (Charlie Cox) and Anna (Zooey Deschanel), confronting that their post-breakup gloom is surpassed by their dog's, decide on a cheer-up vacation to a dog-friendly resort. At this location, predictably, they will undoubtedly realize the idea that they belong with each other. Ensemble players – played by a group of comedic actors – serve as eccentric, underutilized, or over-the-top. Visually carries the feel of a streaming service original, with a holiday backdrop that is clearly manufactured – exemplified by fake snow clinging to lush pines as a summer location substitutes for a cold December city.

Where the Film Shines

How these standard ingredients merge into a pleasant experience hinges on the strength of the performances and an acceptance of easy entertainment. On the latter point, Merv knows its audience – those people who seek out for pet content. The film delivers a wealth of adorable dog montages. The primary selling point is the dog, and though it results in some stilted moments between the pet's "lines" and the actors' responses, the movie delivers on canine party antics, pet moping, and, finally, a tail-wagging resolution.

The Human Element

The same praise is not earned for the interpersonal drama. The film's approach vacillates between serious study, wacky comedy, predictable love story, and silly gags, never fully committing to a consistent feel. This is not Charlie Cox, who is willing to embrace the humiliating and funny inherent in the unusual premise. His performance contains a charming humility that supplies much of the film's charm for this ostensibly perfect couple. Zooey Deschanel, true to her usual style, injects a distinctive offbeat energy that will click for some but not others. The character seems a little too aloof, particularly when contrasted against Cox's vulnerable performance. (On another note, the canine performer is convincing at flopping and whining – he may not be the award-winner from Anatomy of a Fall, he's definitely a scene-stealer.)

The film attempts to provide depth to the central romance for scenes without their pet – a regrettable choice, considering the dog is by far the best part of this film designed for charm. As one might predict, it meets the bare minimum. The reason for their original breakup would feel more grounded and mature with greater exploration and fewer direct statements. As it stands, Merv is light and sugary, hitting precisely what you anticipate. Making a film with this canine conflict has potential – but it's hardly a brilliant concept.

• Merv premieres on Amazon Prime Video on December 10th.